https://bigheadm0de.bandcamp.com/

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On Return! Of The Hellcat, cosmic analogue synths wrestle with raw visceral drums amongst a

barrage of chopped and screwed samples, creating a new age sound with a deeply human and

familiar sentiment, resulting in an enchanting sonic landscape built upon an unwavering

fraternal groove.

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Forged in the fires of South London’s blossoming jazz scene, the duo began their project with

year-long residency ‘BIGHEADBASEMENT’ in the heart of Peckham, joined by the likes of

Muva Of Earth, Quinn Oulton and Tom Ford. These jam sessions, combined with an intense

post-pandemic writing binge, birthed two DIY EP’s that featured hypnotic sax from Xhosa

Cole and silver-tongued lyrics from Ant Lavelle, to name just two high profile collaborators

endorsing the duo’s burgeoning talent. These initial exploratory records documented for the

first time the lifelong obsession with music the brothers share, and sets the scene for their

debut album.

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BIGHEADMODE forge a whole host of synergetic collaborations throughout their new

project: from SAHRA’s yearning vocal stylings on ‘Sweaty’ to Tom Ford’s anxious and angular

guitar solo on ‘Marvin The Martian’, the record is elevated throughout by an evolving

ensemble of featured musicians, also including Plumm, Nye Banfield and NeOne The

Wonderer.

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Keys player, composer and producer Robbie Moore has been playing piano for twenty+ years.

His work as a session musician includes international tours with artists as diverse as Charlotte

Church to The Teskey Brothers. As a songwriter/producer, his credits include several

acclaimed releases and plays on BBC Radio 2, BBC Radio 6 music and Jazz FM. Drummer,

writer and exemplary musician Ewan Moore has performed with the likes of Alabaster

dePlume, Jamie Isaac, SCORS, Max Winter and Muva Of Earth at leading events such as All

Points East, with music being featured on platforms such as Brumradio and Worldwide FM

along the way.

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Now with Return! Of the Hellcat, BIGHEADMODE are destined for the higher stratospheres

of the creative industries, with their accomplished and original work setting a high standard

for the future of UK music.

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